Birds Eye View

  • BEV celebrates & supports international women filmmakers. The flagship BEV Film Festival runs at London's BFI Southbank and ICA, with exclusive previews, shorts, retrospectives, training and cutting-edge live performances.

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News from our friends

She is the Matador: An Interview

Mar 1, 2010 | No Comments | ByJulia Carruthers

Matador Maripaz Vega in the bullring

Matador Maripaz Vega in the bullring

Is bullfighting sport, dance, theatre or blood ritual? She Is The Matador reveals bullfighting to be all of these. Through current interviews and archival footage illustrating the history of women in bullfighting, the film offers a window on the highly choreographed and deadly match between bull and human that remains enormously popular in Spain, even as it is reviled by many in an age of animal rights.

Celeste Carrasco & Gemma Cubero del Barrio run the Talcual Films production company and She Is The Matador is their joint directorial debut. 

We are thrilled to be screening this passionate account of a fascinating tradition as part of our 2010 Festival this Friday and caught up with  Celeste and Gemma in lieu of this.

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Festival Gem: Entre Nos

Feb 26, 2010 | No Comments | ByBirds Eye View

Paola Mendoza, pictured above, plays adoring mother Mariana in the film

Paola Mendoza, pictured above, plays adoring mother Mariana in the film

Entre Nos is based on real life events and follows Mariana and her two children who, having been abandoned by their husband/father,  are thrown out onto the hot Summer streets of Queens, NY.  What follows is the story of one family’s struggle to survive in a dangerous and foreign world.

BEV are privileged to have the UK Premiere of award winning Entre Nos. We caught up with Directors Paola Mendoza and Gloria La Morte

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A Record Year for Women Filmmakers at the BAFTAs

Feb 22, 2010 | No Comments | ByClare Callan

Kathryn Bigelow at the BAFTAs last night

Kathryn Bigelow at the BAFTAs last night

Last night Kathryn Bigelow picked up Best Film & Best Director for The Hurt Locker, Andrea Arnold won Outstanding British Film for Fish Tank, Martina Amati was awarded for Best Short for I Do Air and Best Short Animation went to Emma Lazenby  and Sally Arthur for Mother of Many. Congratulations to all these winners! Yesterday really was a night to be celebrated for women in film.


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Kim Longinotto in the Guardian

Feb 16, 2010 | No Comments | ByClare Callan

Kim Longinotto

Kim Longinotto

‘Film-making saved my life’

Fantastic article in the Guardian on Friday on Kim Longinotto and her film Rough Aunties which is screening as part of our Festival at ICA Cinema 1, March 7, 2.30pm & ICA Cinema 2, March 9, 6.15pm. The Screening is partnership with Branchage Film festival

If you missed it click here. To get tickets and see the rest of our inspiring 2010 Docs programme  click here.

Enjoy the read!

The Unloved: An Interview with Samantha Morton

Feb 15, 2010 | No Comments | ByJulia Carruthers

Samantha Morton's directorial debut The Unloved

Samantha Morton's directorial debut The Unloved

The directorial debut from Oscar-nominated actress Samantha Morton, The Unloved is a powerful drama about a young girl growing up in a children’s home provides an intimate child’s-eye view of the UK’s care system.

Working with screenwriter Tony Grisoni (Red Riding), Morton has created a script that gives an honest and intimate child’s-eye view of the care system in the UK. Filmed in Morton’s hometown of Nottingham, the two young leads – Molly Windsor and Lauren Socha – were cast through a series of open auditions held across Nottingham schools, drama groups and at The Television Workshop, which Morton herself attended.

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Thoughts of a Festival Director About to Give Birth (+ My Pick of the Fest)

Feb 8, 2010 | 1 Comment | ByRachel Millward

me-and-bump

Rachel+bump - now two months bigger...

Well, this is the funniest of festival years for me. Just as Birds Eye View gears up to what looks to be an outrageously brilliant festival – a true celebration of the scope of women’s creative vision, I gear up to a very different moment of creativity – giving birth for the first time. There’s something rather poetic (and nuts) about the timing for me. Should I go those two “permissable” weeks over the official due date, our baby girl could be coming into the world on opening night. Which means that the festival – my first baby, of sorts, is now safely in the hands of BEV’s most excellent team, allowing me to focus on this momentous and unknown journey ahead. Obviously, should baby decide to come this week, or next, I may shuffle down to share in the joys of closing night delight, but maybe our new little world will be too fresh and fragile – we shall see…

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